Lecture: MARIA LIND "In the midst of" - About working with and around Tensta konsthall
Monday, November 25
KiT / seminar room
Innherredsveien 7 A / 3rd floor
In her lecture "In the midst of" - About working with and around Tensta konsthall Maria Lind will be presenting and discussing the implications and results of working with contemporary art at an art center in the midst of the Stockholm suburb of Tensta. Located in a late modernist residential area with approx 20.000 inhabitants, most of whom have a trans-local background, working at Tensta konsthall has challenged the staff to consider issues of inhabitation, embeddedness and autonomy anew.
Maria Lind is a curator and critic based in Stockholm, where she was born in 1966. She is the director of Tensta konsthall, Stockholm. 2008-2010 director of the graduate program, Center for Curatorial Studies, Bard College. 2005-2007 director of Iaspis in Stockholm. 2002-2004 she was the director of Kunstverein München where she together with a curatorial team ran a programme which involved artists such as Deimantas Narkevicius, Oda Projesi, Annika Eriksson, Bojan Sarcevic, Philippe Parreno and Marion von Osten. From 1997-2001 she was curator at Moderna Museet in Stockholm and, in 1998, co-curator of Manifesta 2, Europe's biennale of contemporary art. Responsible for Moderna Museet Projekt, Lind worked with artists on a series of 29 commissions that took place in a temporary project-space, or within or beyond the Museum in Stockholm. Among the artists were Koo Jeong-a, Simon Starling, Jason Dodge, Esra Ersen. There she also curated What if: Art on the Verge of Architecture and Design, filtered by Liam Gillick. She has contributed widely to newspapers and magazines and to numerous catalogues and other publications. She is the co-editor of the books Curating with Light Luggage and Collected Newsletter (Revolver Archiv für aktuelle Kunst), Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art (Blackdog Publishing), as well as the report European Cultural Policies 2015 (Iaspis and eipcp) and The Greenroom: Reconsidering the Documentary and Contemporary Art (Sternberg Press). Among her recent co-edited publications are Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios and Performing the Curatorial: With and Beyond Art, both Sternberg Press. She is the 2009 recipient of the Walter Hopps Award for Curatorial Achievement. In the fall of 2010 Selected Maria Lind Writing was published by Sternberg Press.
Lecture by Maria Lind on the invitation of Prof. Regina Maria Möller
Image: © Tensta konsthall, 2012